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2023/2024  KAN-CBUSV2025U  Designing Business IT (T)

English Title
Designing Business IT (T)

Course information

Language English
Course ECTS 7.5 ECTS
Type Elective
Level Full Degree Master
Duration One Semester
Start time of the course Spring
Timetable Course schedule will be posted at calendar.cbs.dk
Max. participants 50
Study board
BUS Study Board for BSc/MSc in Business Administration and Information Systems, MSc
Course coordinator
  • Mads Bødker - Department of Digitalisation (DIGI)
Main academic disciplines
  • Information technology
  • Innovation
  • Experience economy
Teaching methods
  • Blended learning
Last updated on 01-02-2023

Relevant links

Learning objectives
To achieve the grade 12, students should meet the following learning objectives with no or only minor mistakes or errors:
  • Identify and compare the scope and utility of various methods in creative, innovation and design-oriented IT projects
  • Reflect critically on the theoretical foundations of methods used within Interaction Design
  • Perform field research in a setting relevant to the design project
  • Apply design-centric methods to build and evaluate a digital prototype of an IT product.
  • Use a digital prototyping/design tool to devise, present and evaluate the value, functionality, experience, and impact of a digital product, service, or interaction.
Prerequisites for registering for the exam (activities during the teaching period)
Number of compulsory activities which must be approved (see section 13 of the Programme Regulations): 2
Compulsory home assignments
Group activity: Find 2 peer reviewed articles relevant to the specific project and write a 1 page summary for each article.

Oral presentations etc.
Hand in a summary/slides of 3 presentations of ongoing design work. The presentations are given in class by the exam groups (min. 2 people) and is about the ongoing work in the group. The three presentations are given early, mid and late semester.

Retake of both assignments:
If a student cannot participate in one or two of the compulsory activities due to documented illness, or if a student does not get the activities approved in spite of making a real attempt, then the student will be given an extra attempt before the ordinary exam date. This extra attempt is a 10 page home assignment which will cover the two mandatory activities, as well as reflections on the project domain, theories, methods, and approaches.
Examination
Designing Business IT:
Exam ECTS 7,5
Examination form Oral exam based on written product

In order to participate in the oral exam, the written product must be handed in before the oral exam; by the set deadline. The grade is based on an overall assessment of the written product and the individual oral performance, see also the rules about examination forms in the programme regulations.
Individual or group exam Oral group exam based on written group product
Number of people in the group 2-5
Size of written product Max. 15 pages
The hand-in must be formatted to conform with the ACM Master Article template, available here https:/​/​www.acm.org/​publications/​proceedings-template
Assignment type Project
Release of assignment Subject chosen by students themselves, see guidelines if any
Duration
Written product to be submitted on specified date and time.
20 min. per student, including examiners' discussion of grade, and informing plus explaining the grade
Grading scale 7-point grading scale
Examiner(s) Internal examiner and second internal examiner
Exam period Summer
Make-up exam/re-exam
Same examination form as the ordinary exam
Description of the exam procedure

As this is a design-centric course, the groups must produce a 'product', i.e. a technological IT artefact/prototype that allows the exploration of interaction, experience, impact, or value. The artefact must be documented, represented, and reflected upon in the written assignment. A link in the assignment can be used to point to a "live" prototype, but this should not be the only representation of the product in the assignment. The product should be brought to the exam.

 

The oral exam takes outset in the handed-in written product and the artefact produced. The examiner will also ask questions that take outset in the literature for the course.

Course content, structure and pedagogical approach

This course will feature practical, creative design activities as core activities for the exploration of new digital products and interfaces, and it will equip students to use design-centric methods. The focus is on the critical, reflective understanding of design methods and their judicious application, and the course will give the students the ability to apply designerly methods in organizations and businesses.


Focusing on "design-centric" research methods that draw on an Interaction Design framework, the students will apply brainstorming and data synthesis methods to device prototype(s) using different kinds of materials (digital as well as analogue/performative). 


The process of prototyping at early stages in the development process is emphasized in the course. Rapid iterations of lo-fidelity designs or mock-ups will be used extensively in the student design teams to “ask relevant questions” and envision how new technologies and interaction may impact users in a particular setting.


The literature will cover design methods derived from Human-Computer Interaction and Interaction Design methods as well as methodologies and theoretical readings in the humanities and social science. 

 

Design teams and project work

 
The outset for all of the coursework and the exam will be a student design project, and practical work is part of the in-class activities as well as workshops. Parts of the teaching will be as lab-based as possible, i.e. entailing engaged group work around the design of a product or service prototype. 


All student design teams will perform a mandatory presentation of their ongoing work 3 times during the course, and prepare relevant questions to ask of their design (this is the “design crit” session, parts of which will be based on a design-space analysis/argumentation method). Doing their project, the students must work in 2-5 (3 or more being ideal) person design teams to be able to cover sufficient ground in the project in terms of data collection for the case context as well as to do timely design critique throughout the project. Interdisciplinary work and bringing different competences to bear is key for good projects. 


The project (product) is of the students own choosing, and can include work that involves design for (and with) different kinds of work settings, public sector institutions, households or more "everyday" settings/situations, or private enterprise. It may also feature a conceptual and exploratory design project to reflect on- and develop new interaction styles and a designerly exploration of the expanding context of digitalization.

 

Note that for any area chosen, the students must identify and use a minimum of 2 peer reviewed research papers, e.g. found using the ACM database (dl.acm.org) (note that you have to go through CBS Library or be on the CSB network to access the ACM database)


It is expected that a group is formed and a project or case is defined as early as possible in the course period, so that work on the product (the prototype) can commence early.

Description of the teaching methods
Lectures
Workshops
Student presentations
Feedback during the teaching period
The teacher will give continuous feedback at group in-class presentations

Online feedback is given on mandatory assignments. As part of the ongoing feedback, students must participate in 3 'design critique' sessions (presentations) placed in the beginning, middle and end of the course, where the teacher and students peer give constructive input to the group projects. The course is highly interactive, and each lecture session of two hours is followed by two hours of workshops, where student groups receive feedback on their progress. The workshops also facilitate the students' use of digital prototyping tools.
Student workload
Lectures 24 hours
Prepare to class 100 hours
Workshops 24 hours
Exam and preparation 58 hours
Total 206 hours
Expected literature

The literature can be changed before the semester starts. Students are advised to find the final literature on Canvas before buying any material.

 

Course book: Preece, J., Rogers, Y., & Sharp, H. (2019). Interaction Design

- Beyond Human-Computer Interaction. Wiley.

 

Research articles and perspective

 

Bødker, S. (2000). Scenarios in user-centred design-setting the stage for reflection and action. Interacting with computers, 13(1), 61-75.

 

Brandt, E. (2007). How tangible mock-ups support design collaboration. Knowledge, Technology, and Policy, 20(3), 179-192.

 

Buchenau, M. & Fulton-Suri, J (2000). Experience Prototyping, in Proceedings of ACM DIS, 2000.

 

Buur, J., & Sitorus, L. (2007). Ethnography as Design Provocation. Proceedings from Ethnographic Praxis in Industry Conference, Keystone, CO, USA.

 

Buur, J., Binder, T., & Brandt, E. (2000). Taking Video Beyond “Hard Data” in User Centred Design. the Proceedings of the Participatory Design Conference, New York, CPSR, December.

 

Erickson, T. (1995). Notes on Design Practice: Stories and Prototypes as Catalysts for Communication. In Scenario-based design: envisioning work and technology in system development (pp. 37–58). John Wiley & Sons, Inc. New York, NY, USA.

 

Fallman, D. (2003). Design-oriented human-computer interaction. Proceedings from Proceedings of the SIGCHI conference on Human factors in computing systems.

 

Gaver, B., Dunne, T., & Pacenti, E. (1999). Cultural Probes. Interactions, Volume 6.

 

Hertzum, M. (2003). Making use of scenarios: a field study of conceptual design. International Journal of Human-Computer Studies, 58(2), 215-239.

 

Kaptelinen, V. (no date). Affordances (entry 44 in Interaction Design Encyclopedia): https:/​/​www.interaction-design.org/​literature/​book/​the-encyclopedia-of-human-computer-interaction-2nd-ed/​affordances#heading_Introduction:_Why_affordances?_html_pages_128643

 

Kimbell, L (2009). Beyond design thinking: Design-as-practice and designs-in-practice, paper presented at CRESC Conference, Manchester, September 2009.

 

Kolko, J (2010) Abductive Thinking
and Sensemaking:
The Drivers of Design Synthesis, Design Issues: Volume 26, Number 1 Winter 2010

 

Latour, Bruno: “Where Are the Missing Masses? The Sociology of a Few Mundane Artifacts”, findes her:

 

Messeter, J. (2009). Place-specific computing: A place-centric perspective for digital designs. International Journal of Design, 3(1), 29-41.

 

Millen, D.R. 2000: Rapid ethnography: time deepening strategies for HCI field research, Proceedings of the 3rd conference on Designing interactive systems: processes, practices, methods, and techniques

 

Mogensen, P (1992): Towards a provotyping approach in systems development. Scandinavian Journal of Information Systems, 4(1), 5.

 

Norman, D. A. (1999). Affordance, conventions, and design. Interactions, 6(3), 38-43.

 

Peyton, T. & Poole, E. 2014. The Videographic Requirements Gathering Method for Adolescent-Focused Interaction Design, Interaction Design and Architecture(s) Journal - IxD&A, N.20, 2014, pp. 57-69

 

Salvador, Bell, Anderson, 1999. Design Ethnography, Design Management Journal, Fall, 1999

 

Stolterman, E. & Janlert, P (2015). Faceless Interaction - A Conceptual Examination of the Notion of Interface: Past, Present, and Future.  Human-Computer Interaction, 30, 6.

 

Zimmerman, J, Forlizzi, J. and Evenson, J. 2007. Research through design as a method for interaction design research in HCI. In Proceedings of the SIGCHI conference on Human factors in computing systems (CHI ‘07)

 

 

 

Last updated on 01-02-2023