2020/2021 BA-BBLCV6000U Fashion Entrepreneurship and Business Development
English Title | |
Fashion Entrepreneurship and Business Development |
Course information |
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Language | English |
Course ECTS | 7.5 ECTS |
Type | Elective |
Level | Bachelor |
Duration | One Semester |
Start time of the course | Autumn |
Timetable | Course schedule will be posted at calendar.cbs.dk |
Min. participants | 40 |
Max. participants | 75 |
Study board |
Study Board for BSc and MSc in Business, Language and Culture,
BSc
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Course coordinator | |
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Main academic disciplines | |
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Teaching methods | |
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Last updated on 18-06-2020 |
Relevant links |
Learning objectives | ||||||||||||||||||||||||||||||||||
The student should be able to:
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Prerequisites for registering for the exam (activities during the teaching period) | ||||||||||||||||||||||||||||||||||
Number of compulsory
activities which must be approved (see s. 13 of the Programme
Regulations): 1
Compulsory home
assignments
Class presentation of group projects and Peer feedback on project presentations. Students can present individual projects. For entrepreneurial and business development projects, however, it is recommended to work in groups.
Oral presentations
etc.
Please note, to attend the exam it is a precondition that the student has made an attempt in the mandatory activity, unless it can be documented that lack of submission/participation was caused by illness or similar circumstances. In case the student fails the mandatory activity or can document that lack of submission/participation was caused by illness, he/she will be offered an extra home assignment (3-pages) that is to be handed in before the exam. |
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Examination | ||||||||||||||||||||||||||||||||||
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Course content, structure and pedagogical approach | ||||||||||||||||||||||||||||||||||
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Description of the teaching methods | ||||||||||||||||||||||||||||||||||
The course consists of 10 three-hour sessions which blend theoretical and practical approaches to fashion enterprises, markets, institutions and consumption. The first part of the course places an emphasis on the introduction and discussion of theoretical perspectives and concepts. Gradually the focus shifts to presentations by fashion industry speakers, who share practical experiences and insights and provide the course's core illustrative case examples. In the latter stages, teaching guides student groups in developing their own fashion business or theory project. The projects should either detail a business plan or model for a new fashion enterprise, assist an established enterprise in developing selected aspects of their business or deal with substantive issues in the business of fashion. Students will develop and present (preliminary) projects in class during the course, and submit final project reports at the specified date. Project reports serve as the basis for oral exams. In class sessions, groups will present their ideas and receive feedback from their peers and faculty (both experienced fashion industry consultants and scholars) , who also offer supervision in the preparation of the projects. | ||||||||||||||||||||||||||||||||||
Feedback during the teaching period | ||||||||||||||||||||||||||||||||||
Feedback on class assignments
Comments on project proposal ideas Peer-to-peer feedback on project presentations Feedback on Peergrade proces |
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Student workload | ||||||||||||||||||||||||||||||||||
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Further Information | ||||||||||||||||||||||||||||||||||
The course is developed and will be offered in close collaboration with Danish and (to the extent it is possible) international fashion industry associations and companies.
It seeks to build stronger relations between CBS and Danish fashion, and help facilitate and encourage student entrepreneurship, internships, projects and research on business development in fashion. |
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Expected literature | ||||||||||||||||||||||||||||||||||
Textbook: Varley, R et al (2019) Fashion management. A Strategic Approach. London: MacMillan
Amed, I. & Berg, A. (2019) The state of fashion 2020. London: Business of Fashion & McKinsey
Aspers, P., & Godart, F. (2013). Sociology of fashion: Order and change. Annual Review of Sociology, 39, 171-192.
Arrigo, E. (2016). Fast Fashion Business Model: An Overview. In Handbook of Research on Global Fashion Management and Merchandising (pp. 186-209). IGI Global.
Buckley, C. (2016). Entrepreneurial or Not?: Asymmetrical Business Models of UK Fashion Micro-Enterprises. In Handbook of Research on Global Fashion Management and Merchandising (pp. 110-133). IGI Global.
Caro, A., & Basso, A. (2014). Commercialising Creativity. London: British Fashion Council and London Business School.
Craik, Jennifer (2009) Fashion. The key concepts. Chapters 3 & 6. Berg: Oxford. 105-134, 205-243.
Jonsson, S., & Lindbergh, J. (2013). The development of social capital and financing of entrepreneurial firms: From financial bootstrapping to bank funding. Entrepreneurship Theory and Practice, 37(4), 661-686.
Kontu, H., & Vecchi, A. (2016). Fashion and Social Media: Some Illustrative Evidence from Italian Luxury Brands. In A. Vecchi, & C. Buckley (Eds.), Handbook of Research on Global Fashion Management and Merchandising (pp. 649-669). Hershey, PA: IGI Global. doi:
McNeill, L., & Moore, R. (2015). Sustainable fashion consumption and the fast fashion conundrum: fashionable consumers and attitudes to sustainability in clothing choice. International Journal of Consumer Studies, 39(3), 212-222.
Osterwalder, A. and Pigneur, Y. (2010), Business Model Generation, John Wiley & Sons, Inc., Hobroken, New Jersey. (excerpt)
Skjold, E. (2016). Biographical Wardrobes—A Temporal View on Dress Practice. Fashion Practice, 8(1), 135-148.
Spieth, P., Schneckenberg, D. and Ricart, J. E. (2014), Business model innovation – state of the art and future challenges for the field. R&D Management, 44: 237–247. doi: 10.1111/radm.12071
Wigley, S. M., Nobbs, K., & Larsen, E. (2013). Making the Marque: Tangible branding in fashion product and retail design. Fashion Practice, 5(2), 245-263. |